Most recently a symposium took place at the Americas Society in New York together with the exhibition Moderno: Design for Living in Brazil, Mexico, and Venezuela, 1940–1978. To my utmost surprise, one of the speakers (Mrs. Ana Elena Mallet) stated that the Clara Porset Archive which is safeguarded by the CIDI (Centro de Investigaciones de Diseño Industrial –Industrial Design Research Center) at the UNAM (Universidad Autónoma de México), does not have an inventory or is even catalogued and that every time she goes through it, she discovers something new! The comment in my opinion was very unfortunate and rather ungrateful to Mexico’s prestigious Industrial Design Research Center, and I feel the need to publish some pictures that I recently took myself of the Clara Porset Archive in its current state at the CIDI/UNAM, clearly including inventory codes, perfectly catalogued and securely stored.
The Clara Porset Library is well-organized thanks to the continued work and dedication of its Clara Porset Archive curators at the CIDI: CIDI Director M.D.I. Enrique Ricalde Gamboa and D.I. Jorge A. Vadillo López. Below I have included a picture of both them at the CIDI offices together with the true +30 years Clara Porset expert in Mexico´s Industrial Design scenario, Dr. Oscar Salinas Flores, who actually was one of Clara Porset’s devoted students and who has published two books about Clara Porset and several textbooks about Industrial Design in Mexico.
The CIDI team and the UNAM have made great efforts to keep the Clara Porset Archive in good shape; of course, there are always new technologies that could make the Clara Porset Archive easier to review for researchers, but that might take some time and additional resources.
I hope, this clarifies several misleading and out-of-place comments concerning the Clara Porset Archive and who our CLARA PORSET EXPERTS really are!
P.S.: Clara Porset experts is written in boldface, because Mrs. Mallet, Mr. Rivas and Mr. Castañeda, who were involved in the above mentioned symposium and made reference of Clara Porset’s life and work, none of them realized that Clara Porset was not born in the year 1932 as stated in the list of designers featured at the exhibition on the opening page of
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